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Visual Planning & Storyboarding

Before filming, I created a full storyboard and shot plan mapping out:

  • Morning routine sequences
  • Repetition pacing
  • Camera angles (wide, medium, close-up)
  • Emotional beats
  • Transitions between workdays and the day off

The storyboard allowed me to plan rhythm, movement, and visual flow before production began.

 

 

Workdays

  • Cold, low-contrast colour grading
  • Faster editing
  • Shorter shots
  • Tighter framing

Cinematography & Visual Language

 

 

 

Skills Demonstrated

  • Narrative filmmaking
  • Storyboarding
  • Shot planning
  • Cinematography
  • Editing & pacing
  • Colour theory
  • Visual storytelling
  • Production coordination

 

Editing & Post-Production

The film was edited using Adobe Premiere Pro, where I assembled the final cut and refined the pacing of the story. Premiere Pro was used for:

  • Scene sequencing and timeline editing
  • Trimming and arranging shots for narrative flow
  • Adding the on-screen texting/messaging effect
  • Integrating audio and background music
Storyboard

 

 

Day Off

  • Warm, red-toned colour grading
  • Slower pacing
  • Longer shots
  • Open, relaxed framing

The film uses visual contrast to represent emotional states. This contrast visually reinforces the emotional shift from burnout to rest.

 

Day Off Playblack
Day Off Playback
Playback of Day Off

Visual Planning & Shot Development

The visual language of Day-Off was carefully planned through storyboarding and shot lists before filming began. I mapped out specific moments in the routine — such as waking up, getting dressed, brushing teeth, leaving the house, and driving — and designed repeating camera angles to reinforce the feeling of a loop. These included overhead shots, mirror shots, close-ups of hands and clothing, and profile driving shots.

Playback

 

Outcome

Day-Off is a personal, emotionally driven short film that transforms everyday routine into a cinematic story about balance, rest, and human connection. The project demonstrates the power of visual pacing and colour to communicate emotional states and highlights the importance of slowing down in a fast-paced world.

Day-Off is a narrative short film that explores the emotional rhythm of modern work life and the importance of rest, friendship, and self-care. The film follows Natalia, a dedicated worker caught in a repetitive cycle of exhausting workdays, until she finally reaches her rare day off. The project blends visual storytelling, pacing, and colour theory to contrast burnout with rest, turning an ordinary routine into an emotionally driven narrative experience.

Film Production • Storyboarding • Editing • Narrative Design

Day-Off — Narrative Short Film & Visual Storytelling

Day-Off is a narrative short film that explores the emotional rhythm of modern work life and the importance of rest, friendship, and self-care. The film follows Natalia, a dedicated worker caught in a repetitive cycle of exhausting workdays, until she finally reaches her rare day off. The project blends visual storytelling, pacing, and colour theory to contrast burnout with rest, turning an ordinary routine into an emotionally driven narrative experience.

Thumbnail of Day Off

 

To see the full short film. Click above

Concept & Inspiration

The story is inspired by my own lived experience of working multiple jobs and feeling trapped in a constant loop of shifts and responsibilities. The idea of a “day off” becomes something symbolic. Not just a break from work, but a moment to reconnect with yourself and the people around you.

 

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Film Production • Storyboarding • Editing • Narrative Design

Day-Off — Narrative Short Film & Visual Storytelling

Day-Off is a narrative short film that explores the emotional rhythm of modern work life and the importance of rest, friendship, and self-care. The film follows Natalia, a dedicated worker caught in a repetitive cycle of exhausting workdays, until she finally reaches her rare day off. The project blends visual storytelling, pacing, and colour theory to contrast burnout with rest, turning an ordinary routine into an emotionally driven narrative experience.

Thumbnail of Day Off

 

To see the full short film. Click above

Concept & Inspiration

The story is inspired by my own lived experience of working multiple jobs and feeling trapped in a constant loop of shifts and responsibilities. The idea of a “day off” becomes something symbolic. Not just a break from work, but a moment to reconnect with yourself and the people around you.

 

Visual Planning & Storyboarding

Before filming, I created a full storyboard and shot plan mapping out:

  • Morning routine sequences
  • Repetition pacing
  • Camera angles (wide, medium, close-up)
  • Emotional beats
  • Transitions between workdays and the day off

The storyboard allowed me to plan rhythm, movement, and visual flow before production began.

 

 

Workdays

  • Cold, low-contrast colour grading
  • Faster editing
  • Shorter shots
  • Tighter framing

Cinematography & Visual Language

 

 

 

Skills Demonstrated

  • Narrative filmmaking
  • Storyboarding
  • Shot planning
  • Cinematography
  • Editing & pacing
  • Colour theory
  • Visual storytelling
  • Production coordination

 

Editing & Post-Production

The film was edited using Adobe Premiere Pro, where I assembled the final cut and refined the pacing of the story. Premiere Pro was used for:

  • Scene sequencing and timeline editing
  • Trimming and arranging shots for narrative flow
  • Adding the on-screen texting/messaging effect
  • Integrating audio and background music
Storyboard

 

 

Day Off

  • Warm, red-toned colour grading
  • Slower pacing
  • Longer shots
  • Open, relaxed framing

The film uses visual contrast to represent emotional states. This contrast visually reinforces the emotional shift from burnout to rest.

 

Day Off Playblack
Day Off Playback
Playback of Day Off

Visual Planning & Shot Development

The visual language of Day-Off was carefully planned through storyboarding and shot lists before filming began. I mapped out specific moments in the routine — such as waking up, getting dressed, brushing teeth, leaving the house, and driving — and designed repeating camera angles to reinforce the feeling of a loop. These included overhead shots, mirror shots, close-ups of hands and clothing, and profile driving shots.

Playback

 

Outcome

Day-Off is a personal, emotionally driven short film that transforms everyday routine into a cinematic story about balance, rest, and human connection. The project demonstrates the power of visual pacing and colour to communicate emotional states and highlights the importance of slowing down in a fast-paced world.

<<< See Previous Project

See Next Project >>>

Back Button

Film Production • Storyboarding • Editing • Narrative Design

Day-Off — Narrative Short Film & Visual Storytelling

Day-Off is a narrative short film that explores the emotional rhythm of modern work life and the importance of rest, friendship, and self-care. The film follows Natalia, a dedicated worker caught in a repetitive cycle of exhausting workdays, until she finally reaches her rare day off. The project blends visual storytelling, pacing, and colour theory to contrast burnout with rest, turning an ordinary routine into an emotionally driven narrative experience.

Thumbnail of Day Off

 

To see the full short film. Click above

Concept & Inspiration

The story is inspired by my own lived experience of working multiple jobs and feeling trapped in a constant loop of shifts and responsibilities. The idea of a “day off” becomes something symbolic. Not just a break from work, but a moment to reconnect with yourself and the people around you.

 

Visual Planning & Storyboarding

Before filming, I created a full storyboard and shot plan mapping out:

  • Morning routine sequences
  • Repetition pacing
  • Camera angles (wide, medium, close-up)
  • Emotional beats
  • Transitions between workdays and the day off

The storyboard allowed me to plan rhythm, movement, and visual flow before production began.

 

 

Workdays

  • Cold, low-contrast colour grading
  • Faster editing
  • Shorter shots
  • Tighter framing

Cinematography & Visual Language

 

 

 

Skills Demonstrated

  • Narrative filmmaking
  • Storyboarding
  • Shot planning
  • Cinematography
  • Editing & pacing
  • Colour theory
  • Visual storytelling
  • Production coordination

 

Editing & Post-Production

The film was edited using Adobe Premiere Pro, where I assembled the final cut and refined the pacing of the story. Premiere Pro was used for:

  • Scene sequencing and timeline editing
  • Trimming and arranging shots for narrative flow
  • Adding the on-screen texting/messaging effect
  • Integrating audio and background music
Storyboard

 

 

Day Off

  • Warm, red-toned colour grading
  • Slower pacing
  • Longer shots
  • Open, relaxed framing

The film uses visual contrast to represent emotional states. This contrast visually reinforces the emotional shift from burnout to rest.

 

Day Off Playblack
Day Off Playback
Playback of Day Off

Visual Planning & Shot Development

The visual language of Day-Off was carefully planned through storyboarding and shot lists before filming began. I mapped out specific moments in the routine — such as waking up, getting dressed, brushing teeth, leaving the house, and driving — and designed repeating camera angles to reinforce the feeling of a loop. These included overhead shots, mirror shots, close-ups of hands and clothing, and profile driving shots.

Playback

 

Outcome

Day-Off is a personal, emotionally driven short film that transforms everyday routine into a cinematic story about balance, rest, and human connection. The project demonstrates the power of visual pacing and colour to communicate emotional states and highlights the importance of slowing down in a fast-paced world.

<<< See Previous Project

See Next Project >>>